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Luckily, we keep getting the exemptions, like noting that Europeans actually ARE into soccer. Well, we call it football. Also there should be an exemption about the sportswear. Europeans dress up after work, if they are going somewhere, Americans dress down. This means you are likely to meet a European person on the way to work in his fleece jacket, only to meet him out on town in an elegant coat and some snappy shoes after work. There should be warning for American men dating European women: do not get into your casual wear if you have invited her out to dinner! She ll come dressed to kill and if you re not dressed for it, she ll just leave your carcass in the gutter. Giantess teen titans

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Hand job girl We elected to go for sunset because we are staying in Kapalua and did not want to get up at 2am for sunrise. We spent the day visiting other local attractions and headed up about 3pm. It was very cloudy and rainy going up and we had our doubts about if it was worth the trip. We had downloaded the Gypsy App for Haleakala which is a guided audio tour and it reassured us that the weather would be different at the top and it was! Sunny and clear, although the temp went from 80 down to 63 degrees at the top. The Visitors Center at the base is under construction and the one at the top is open from 10-3:30. There are restrooms at the summit. There are many switch backs and driving can be nerve racking but definitely worth the views.

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Drinking coffee when pregnant The webbing clothes moth is the most common fabric moth. The adult is gold with reddish-golden hairs on the top of its head. A row of golden hairs fringes its wings, which have a span of about 1/2 inch. Because these moths are weak flyers that aren't attracted to lights, you'll usually find them close to the infested items, such as in a dark area of the closet.

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A further addition to the 1855 set of reference photographs taken by Jean Louis Marie Eugène Durieu, for the famed artist Eugène Delacroix.

A further addition to the 1855 set of reference photographs taken by Jean Louis Marie Eugène Durieu, for the famed artist Eugène Delacroix. 

A second artist’s reference image of this tall and well-toned model posing for Jacques de Lalaing, some time in the 1880s or 1890s. This print has been neatly drawn over with a grid pattern, which proves its former usefulness to the artist, even if...

A second artist’s reference image of this tall and well-toned model posing for Jacques de Lalaing, some time in the 1880s or 1890s. This print has been neatly drawn over with a grid pattern, which proves its former usefulness to the artist, even if it does distract somewhat from the aesthetic appeal of the shot, and the model’s good looks!

An artists’ model photographed in the studio of Belgian sculptor Jacques de Lalaing, pencilled over with a grid to assist in converting image into artwork.

An artists’ model photographed in the studio of Belgian sculptor Jacques de Lalaing, pencilled over with a grid to assist in converting image into artwork.

One of the earliest sets of images in my whole collection, these reference photographs of the male nude were taken byJean Louis Marie Eugène Durieu, in association with the artist Delacroix, in 1855. Further poses can be seen here.

One of the earliest sets of images in my whole collection, these reference photographs of the male nude were taken byJean Louis Marie Eugène Durieu, in association with the artist Delacroix, in 1855. Further poses can be seen here.

A fourth photograph of the same model, in similar position, from Belgian sculptor Jacques de Lalaing, taken in the 1880s-1890s.

A fourth photograph of the same model, in similar position, from Belgian sculptor Jacques de Lalaing, taken in the 1880s-1890s. 

As with so many of these 19th century artists’ reference photographs, this picture has an enduring beauty all of its own - a handsome man immortalised in his prime, posing with great dignity and grace; he remains every bit as captivating to look upon...

As with so many of these 19th century artists’ reference photographs, this picture has an enduring beauty all of its own - a handsome man immortalised in his prime, posing with great dignity and grace; he remains every bit as captivating to look upon today, as in the era which he lived.

It has been a while since I added to the 1855 set of Delacroix’s reference photographs, taken by Jean Louis Marie Eugène Durieu. These early images appear dark and hazy, due to the limits of photographic technology of the time, but all the more...

It has been a while since I added to the 1855 set of Delacroix’s reference photographs, taken by Jean Louis Marie Eugène Durieu. These early images appear dark and hazy, due to the limits of photographic technology of the time, but all the more appealing for it.

An early 20th century nude, model unknown; though he may only have posed thus to aid an artist with their work, his photograph itself is a work of singular gentle beauty.

An early 20th century nude, model unknown; though he may only have posed thus to aid an artist with their work, his photograph itself is a work of singular gentle beauty.

J. Laurie Wallace (right) and an unidentified model, posing for Thomas Eakins in 1883 - another reference photograph taken the same day can be seen here.

J. Laurie Wallace (right) and an unidentified model, posing for Thomas Eakins in 1883 - another reference photograph taken the same day can be seen here.

A second photograph of artist Thomas Eakins posing nude before his own camera in this leafy setting - the first here - taken in the 1880s.

A second photograph of artist Thomas Eakins posing nude before his own camera in this leafy setting - the first here - taken in the 1880s.

A 19th century artists’ model assumes a dramatic pose in the studio, photographer sadly unrecorded - I should love to know what figure he represents, what painting or sculpture this eventually became!

A 19th century artists’ model assumes a dramatic pose in the studio, photographer sadly unrecorded - I should love to know what figure he represents, what painting or sculpture this eventually became!

From the studio of artist Jacques de Lalaing, taken during the 1880s or 1890s; this a little more practical pose, not so prettily and elegantly artistic as some of his reference photographs.

From the studio of artist Jacques de Lalaing, taken during the 1880s or 1890s; this a little more practical pose, not so prettily and elegantly artistic as some of his reference photographs.

vintagemusclemen:
“ Two of Eakins students with an observer (referee?) in a field, 1885.
”
I would venture that the clothed gentleman between these finely poised boxers is in fact Eakins himself, we can see him in the same set of casual clothes in...

vintagemusclemen:

Two of Eakins students with an observer (referee?) in a field, 1885.

I would venture that the clothed gentleman between these finely poised boxers is in fact Eakins himself, we can see him in the same set of casual clothes in this photograph.

A magnificent male nude by Belgian artist Jacques de Lalaing; although created merely as reference to help him with his sculpting work, such striking photographs as this can be seen as things of great beauty in their own right.

A magnificent male nude by Belgian artist Jacques de Lalaing; although created merely as reference to help him with his sculpting work, such striking photographs as this can be seen as things of great beauty in their own right.

vintagehandsomemen:
“  Study photo from the Thomas Eakins studio, late 1800s.
”
Not the finest clarity or definition of detail, but a less widely published photograph than many of Eakins’ references; one I hadn’t seen ‘til now.

vintagehandsomemen:

Study photo from the Thomas Eakins studio, late 1800s.

Not the finest clarity or definition of detail, but a less widely published photograph than many of Eakins’ references; one I hadn’t seen ‘til now.